Object Lessons Space (@objectlessons.space) โ€” Object Lessons Space is a virtual platform that encourages a redefined understanding of art and art history through conversation.
๐—ค๐—ถ๐—ป๐—ด ๐——๐˜†๐—ป๐—ฎ๐˜€๐˜๐˜† ๐—๐—ฎ๐—ฑ๐—ฒ ๐—•๐—ผ๐˜„๐—น / "During the Qianlong reign, the emperor conquered the r
๐—ค๐—ถ๐—ป๐—ด ๐——๐˜†๐—ป๐—ฎ๐˜€๐˜๐˜† ๐—๐—ฎ๐—ฑ๐—ฒ ๐—•๐—ผ๐˜„๐—น / "During the Qianlong reign, the emperor conquered the region that corresponds to what is today Xinjiang. This made a lot of jade and raw material available, and opened up more exchanges between the Qing imperial court and the Islamic world." โ€” Nicole Chiang (Museum of East Asian Art @bathmeaa) Read the full post on www.objectlessons.space.
17.02.2019 02:38:42
๐—ค๐—ถ๐—ป๐—ด ๐——๐˜†๐—ป๐—ฎ๐˜€๐˜๐˜† ๐—๐—ฎ๐—ฑ๐—ฒ ๐—•๐—ผ๐˜„๐—น / "In order to make a jade bowl like this, youโ€™d first ne
๐—ค๐—ถ๐—ป๐—ด ๐——๐˜†๐—ป๐—ฎ๐˜€๐˜๐˜† ๐—๐—ฎ๐—ฑ๐—ฒ ๐—•๐—ผ๐˜„๐—น / "In order to make a jade bowl like this, youโ€™d first need to find a boulder large enough for the carving process. The craftsman would then use minerals harder than jade." โ€” Nicole Chiang (Museum of East Asian Art @bathmeaa) Read the full post on www.objectlessons.space.
17.02.2019 02:37:51
Advertisement
๐—ค๐—ถ๐—ป๐—ด ๐——๐˜†๐—ป๐—ฎ๐˜€๐˜๐˜† ๐—๐—ฎ๐—ฑ๐—ฒ ๐—•๐—ผ๐˜„๐—น / "This bowl is not an everyday object, and was used in a
๐—ค๐—ถ๐—ป๐—ด ๐——๐˜†๐—ป๐—ฎ๐˜€๐˜๐˜† ๐—๐—ฎ๐—ฑ๐—ฒ ๐—•๐—ผ๐˜„๐—น / "This bowl is not an everyday object, and was used in a special ceremony. The emperor would provide tea to his officials during this ceremony, and this type of jade bowl was used for the occasion." โ€” Nicole Chiang (Museum of East Asian Art @bathmeaa) Read the full post on www.objectlessons.space.
17.02.2019 02:37:07
๐—–๐—ต๐—ฒ๐—ผ๐—ป๐—ด ๐—ฆ๐—ผ๐—ผ ๐—ฃ๐—ถ๐—ฒ๐—ป๐—ด'๐˜€ ๐—–๐—ผ๐—ป๐˜€๐˜๐—ฟ๐˜‚๐—ฐ๐˜๐—ถ๐—ผ๐—ป / "Here, texture has been created, and the plane
๐—–๐—ต๐—ฒ๐—ผ๐—ป๐—ด ๐—ฆ๐—ผ๐—ผ ๐—ฃ๐—ถ๐—ฒ๐—ป๐—ด'๐˜€ ๐—–๐—ผ๐—ป๐˜€๐˜๐—ฟ๐˜‚๐—ฐ๐˜๐—ถ๐—ผ๐—ป / "Here, texture has been created, and the planes have been broken up into horizontal lines and rectangles. This piece is beautifully and cleverly composed." โ€” Seah Tzi-Yan Read the full post on www.objectlessons.space.
11.02.2019 13:23:58
๐—–๐—ต๐—ฒ๐—ผ๐—ป๐—ด ๐—ฆ๐—ผ๐—ผ ๐—ฃ๐—ถ๐—ฒ๐—ป๐—ด'๐˜€ ๐—–๐—ผ๐—ป๐˜€๐˜๐—ฟ๐˜‚๐—ฐ๐˜๐—ถ๐—ผ๐—ป / "When you look at Cheongโ€™s works, one of the t
๐—–๐—ต๐—ฒ๐—ผ๐—ป๐—ด ๐—ฆ๐—ผ๐—ผ ๐—ฃ๐—ถ๐—ฒ๐—ป๐—ด'๐˜€ ๐—–๐—ผ๐—ป๐˜€๐˜๐—ฟ๐˜‚๐—ฐ๐˜๐—ถ๐—ผ๐—ป / "When you look at Cheongโ€™s works, one of the things that stands out are his drawings. For someone who sees drawing as integral to his artistic process; lines, structures and form all come into play." โ€” Seah Tzi-Yan Read the full post on www.objectlessons.space.
11.02.2019 13:23:16
๐—–๐—ต๐—ฒ๐—ผ๐—ป๐—ด ๐—ฆ๐—ผ๐—ผ ๐—ฃ๐—ถ๐—ฒ๐—ป๐—ด'๐˜€ ๐—–๐—ผ๐—ป๐˜€๐˜๐—ฟ๐˜‚๐—ฐ๐˜๐—ถ๐—ผ๐—ป / "Whatโ€™s interesting about this piece is that y
๐—–๐—ต๐—ฒ๐—ผ๐—ป๐—ด ๐—ฆ๐—ผ๐—ผ ๐—ฃ๐—ถ๐—ฒ๐—ป๐—ด'๐˜€ ๐—–๐—ผ๐—ป๐˜€๐˜๐—ฟ๐˜‚๐—ฐ๐˜๐—ถ๐—ผ๐—ป / "Whatโ€™s interesting about this piece is that you see a modern composition in metal relief. Itโ€™s very much in the vein of making modern compositions during the 1960s and 1970s." โ€” Seah Tzi-Yan Read the full post on www.objectlessons.space.
11.02.2019 13:22:35
Advertisement
๐—ง๐—ถ๐—ฝ๐˜‚'๐˜€ ๐—ง๐—ถ๐—ด๐—ฒ๐—ฟ / "Tipuโ€™s Tiger was first created as an emblem of resistance. The o
๐—ง๐—ถ๐—ฝ๐˜‚'๐˜€ ๐—ง๐—ถ๐—ด๐—ฒ๐—ฟ / "Tipuโ€™s Tiger was first created as an emblem of resistance. The object is quite reactionary in many ways, but it is about trying to find an aesthetic representation of un-Britishness, and making that both powerful and tangible." โ€” Alice Procter (The Exhibitionist @aliceaprocter) Read the full post on www.objectlessons.space.
06.02.2019 13:45:13
๐—ง๐—ถ๐—ฝ๐˜‚'๐˜€ ๐—ง๐—ถ๐—ด๐—ฒ๐—ฟ / "When it was first taken by the East India Company from Tipu Sult
๐—ง๐—ถ๐—ฝ๐˜‚'๐˜€ ๐—ง๐—ถ๐—ด๐—ฒ๐—ฟ / "When it was first taken by the East India Company from Tipu Sultanโ€™s palace, the object was placed in the companyโ€™s India Museum. It immediately went on public display, and it was treated as a trophy taken from a violent society that they had 'saved'." โ€” Alice Procter (The Exhibitionist @aliceaprocter) Read the full post on www.objectlessons.space.
06.02.2019 13:44:34
๐—ง๐—ถ๐—ฝ๐˜‚'๐˜€ ๐—ง๐—ถ๐—ด๐—ฒ๐—ฟ / "Tipuโ€™s Tiger is an organ. It is an active, loud and tangible obj
๐—ง๐—ถ๐—ฝ๐˜‚'๐˜€ ๐—ง๐—ถ๐—ด๐—ฒ๐—ฟ / "Tipuโ€™s Tiger is an organ. It is an active, loud and tangible object. It was meant to be touched, and to be played. Now, it sits isolated, muffled and silenced in a glass case. It was meant to be experienced, but now all we can do as visitors is look at it." โ€” Alice Procter (The Exhibitionist @aliceaprocter) Read the full post on www.objectlessons.space.
06.02.2019 13:43:47
๐—™๐—ฒ๐—ฏ๐—ฟ๐˜‚๐—ฎ๐—ฟ๐˜† ๐Ÿฎ๐Ÿฌ๐Ÿญ๐Ÿต ๐—œ๐˜€๐˜€๐˜‚๐—ฒ / Now live on www.objectlessons.space (๐ŸŽจ: @pocketoast)
๐—™๐—ฒ๐—ฏ๐—ฟ๐˜‚๐—ฎ๐—ฟ๐˜† ๐Ÿฎ๐Ÿฌ๐Ÿญ๐Ÿต ๐—œ๐˜€๐˜€๐˜‚๐—ฒ / Now live on www.objectlessons.space (๐ŸŽจ: @pocketoast)...more
01.02.2019 13:23:08
Advertisement
๐—™๐—ฒ๐—ฏ๐—ฟ๐˜‚๐—ฎ๐—ฟ๐˜† ๐Ÿฎ๐Ÿฌ๐Ÿญ๐Ÿต ๐—œ๐˜€๐˜€๐˜‚๐—ฒ / Now live on www.objectlessons.space (๐ŸŽจ: @pocketoast)
๐—™๐—ฒ๐—ฏ๐—ฟ๐˜‚๐—ฎ๐—ฟ๐˜† ๐Ÿฎ๐Ÿฌ๐Ÿญ๐Ÿต ๐—œ๐˜€๐˜€๐˜‚๐—ฒ / Now live on www.objectlessons.space (๐ŸŽจ: @pocketoast)...more
01.02.2019 13:22:56
๐—™๐—ฒ๐—ฏ๐—ฟ๐˜‚๐—ฎ๐—ฟ๐˜† ๐Ÿฎ๐Ÿฌ๐Ÿญ๐Ÿต ๐—œ๐˜€๐˜€๐˜‚๐—ฒ / Now live on www.objectlessons.space (๐ŸŽจ: @pocketoast)
๐—™๐—ฒ๐—ฏ๐—ฟ๐˜‚๐—ฎ๐—ฟ๐˜† ๐Ÿฎ๐Ÿฌ๐Ÿญ๐Ÿต ๐—œ๐˜€๐˜€๐˜‚๐—ฒ / Now live on www.objectlessons.space (๐ŸŽจ: @pocketoast)...more
01.02.2019 13:22:44
๐—ฆ๐—ผ๐—ฝ๐—ต๐—ฒ๐—ฎ๐—ฝ ๐—ฃ๐—ถ๐—ฐ๐—ต'๐˜€ ๐——๐—ฒ๐—น๐˜๐—ฎ / "In order to develop a comprehensive conservation approac
๐—ฆ๐—ผ๐—ฝ๐—ต๐—ฒ๐—ฎ๐—ฝ ๐—ฃ๐—ถ๐—ฐ๐—ต'๐˜€ ๐——๐—ฒ๐—น๐˜๐—ฎ / "In order to develop a comprehensive conservation approach, I needed to know everything about the artwork. I needed to know how the rattan was harvested and prepared, so I asked Sopheap about this in a short interview." โ€” Bettina Schleier Read the full post on www.objectlessons.space.
28.01.2019 14:26:05
๐—ฆ๐—ผ๐—ฝ๐—ต๐—ฒ๐—ฎ๐—ฝ ๐—ฃ๐—ถ๐—ฐ๐—ต'๐˜€ ๐——๐—ฒ๐—น๐˜๐—ฎ / "With Delta, he cooked and boiled the rattan in diesel oi
๐—ฆ๐—ผ๐—ฝ๐—ต๐—ฒ๐—ฎ๐—ฝ ๐—ฃ๐—ถ๐—ฐ๐—ต'๐˜€ ๐——๐—ฒ๐—น๐˜๐—ฎ / "With Delta, he cooked and boiled the rattan in diesel oil before bending it into shape. This sort of information was important for me, because now I knew that not only was I working with rattan and iron, I was also working with oil in the sculpture." โ€” Bettina Schleier Read the full post on www.objectlessons.space.
28.01.2019 14:25:28
Advertisement
๐—ฆ๐—ผ๐—ฝ๐—ต๐—ฒ๐—ฎ๐—ฝ ๐—ฃ๐—ถ๐—ฐ๐—ต'๐˜€ ๐——๐—ฒ๐—น๐˜๐—ฎ / "As a conservator, I am aware of the fact that every inte
๐—ฆ๐—ผ๐—ฝ๐—ต๐—ฒ๐—ฎ๐—ฝ ๐—ฃ๐—ถ๐—ฐ๐—ต'๐˜€ ๐——๐—ฒ๐—น๐˜๐—ฎ / "As a conservator, I am aware of the fact that every intervention and every material I incorporate will add yet another factor to future processes of decay. Instead of trying to step back into the shoes of the artist, Iโ€™m interested in drawing out the history that lies within an artwork." โ€” Bettina Schleier Read the full post on www.objectlessons.space.
28.01.2019 14:25:01
๐—ช๐˜‚ ๐—š๐˜‚๐—ฎ๐—ป๐˜‡๐—ต๐—ผ๐—ป๐—ด'๐˜€ ๐—ฅ๐˜‚๐—ป๐—ป๐—ถ๐—ป๐—ด ๐—ฆ๐˜๐—ฟ๐—ฒ๐—ฎ๐—บ / "This painting is a little ambiguous in that it
๐—ช๐˜‚ ๐—š๐˜‚๐—ฎ๐—ป๐˜‡๐—ต๐—ผ๐—ป๐—ด'๐˜€ ๐—ฅ๐˜‚๐—ป๐—ป๐—ถ๐—ป๐—ด ๐—ฆ๐˜๐—ฟ๐—ฒ๐—ฎ๐—บ / "This painting is a little ambiguous in that it tends towards abstraction slightly. It isnโ€™t clear what these strokes of ink depict. Are these wet leaves that are hanging off the edge of the branches?" โ€” Jennifer Lam (National Gallery Singapore @nationalgallerysingapore) Read the full post on www.objectlessons.space.
22.01.2019 12:33:49
๐—ช๐˜‚ ๐—š๐˜‚๐—ฎ๐—ป๐˜‡๐—ต๐—ผ๐—ป๐—ด'๐˜€ ๐—ฅ๐˜‚๐—ป๐—ป๐—ถ๐—ป๐—ด ๐—ฆ๐˜๐—ฟ๐—ฒ๐—ฎ๐—บ / "This is a scene he has in his memory, and you c
๐—ช๐˜‚ ๐—š๐˜‚๐—ฎ๐—ป๐˜‡๐—ต๐—ผ๐—ป๐—ด'๐˜€ ๐—ฅ๐˜‚๐—ป๐—ป๐—ถ๐—ป๐—ด ๐—ฆ๐˜๐—ฟ๐—ฒ๐—ฎ๐—บ / "This is a scene he has in his memory, and you can imagine him running out of his motel after the rain cleared up. The water would have still been flowing rather swiftly, and right in the middle of the painting, you can sort of see this water collecting." โ€” Jennifer Lam (National Gallery Singapore @nationalgallerysingapore) Read the full post on www.objectlessons.space.
22.01.2019 12:32:58
๐—ช๐˜‚ ๐—š๐˜‚๐—ฎ๐—ป๐˜‡๐—ต๐—ผ๐—ป๐—ด'๐˜€ ๐—ฅ๐˜‚๐—ป๐—ป๐—ถ๐—ป๐—ด ๐—ฆ๐˜๐—ฟ๐—ฒ๐—ฎ๐—บ / "This work is one of the main anchors for this e
๐—ช๐˜‚ ๐—š๐˜‚๐—ฎ๐—ป๐˜‡๐—ต๐—ผ๐—ป๐—ด'๐˜€ ๐—ฅ๐˜‚๐—ป๐—ป๐—ถ๐—ป๐—ด ๐—ฆ๐˜๐—ฟ๐—ฒ๐—ฎ๐—บ / "This work is one of the main anchors for this exhibition, Wu Guanzhong: Expressions of Pen & Palette. This work is important because it tells of a love story, if I may, between Wu Guanzhong and the place he depicts, the Yulong Mountains." โ€” Jennifer Lam (National Gallery Singapore @nationalgallerysingapore) Read the full post on www.objectlessons.space.
22.01.2019 12:32:11
Next
loading